HT2439 - The Space That Supports Your Work
Once I had seriously committed myself to photography in the 1970s, I didn't fully realize the implications that would govern my choices of living space over the next five decades. Whenever I found myself needing to move, the first and determining question in any place I considered was where to put the darkroom and the print finishing studio. Over the years, I've slowly come to realize how the space influences what I produce.
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HT2438 - Fall Fog Season
HT2438 - Fall Fog Season
I know so many photographers who get excited about the fall season and all those wonderful colored hillsides of orange and yellow keaves. For me, fall is less about leafy colors than it is about fog. (Isn't it odd that we photographers put so much emphasis on the sharpness of our lenses, but love the photographic effect of fog?) Fog and snow — there is no question about it — are my two most favorite atmospheric forms of weather for photography.
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LW1479 - Photography Lessons from Japanese Woodblock Prints
LW1479 - Photography Lessons from Japanese Woodblock Prints
I've been an admirer of Japanese woodblock prints (known as ukiyo-e) for quite some time now. Everyone is familiar, for example, with Hokusai's image The Great Wave Off Kanagawa from his project 36 Views of Mount Fuji. One of the things that's fascinating about these artists' work is how many times they did numbered series, e.g. 53 Stages of the Tokaido by Hiroshige, or one of my all-time favorites, 100 Aspects of the Moon by Yoshitoshi. There's a great deal to learn that we can adapt to photography about working in series.
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You might also be interested in. . .
Every Picture Is a Compromise, a series at www.brooksjensenarts.com.
and...
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HT2437 - What I Hope to Accomplish with These Thoughts
HT2437 - What I Hope to Accomplish with These Thoughts
One of the criticisms I have about a lot of workshop instructors is that their basic premise is to persuade and motivate the participants to do photography the same way the instructor does. "Here's my technique, go Thou and do likewise." That is decidedly not my purpose with Here's a Thought.
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HT2436 - The Second and Third Layer of Comprehensiond
HT2436 - The Second and Third Layer of Comprehension
How much time does it take to fully understand a photograph? Of course, there is no single answer for the simple reason that photographs are so varied and often have different purposes. That said, doesn't it seem obvious that through social media we are all being trained to see photographs at a surface level only, then swipe left and move on under the assumption that we've really seen it? But, have we? What about those deeper levels of comprehension that require effort, time, a certain amount of commitment to an image?
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Sobre LensWork - Photography and the Creative Process
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience.
Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life.
Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).
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