HT2449 - Bonus Images
I'll bet that most of you, from time to time, watch the bonus features after you've finished watching the movie. Or perhaps you watch the director's cut with commentary from behind the scenes. Is there any reason why we still photographers couldn't use this idea with our projects? After the last image in a PDF, for example, why not have bonus images for people who want more?
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HT2448 - Each Project Has Its Own Aesthetic
HT2448 - Each Project Has Its Own Aesthetic
How many different genres of music are there? Beyond that, each song has its own mood. Beyond that, the same song can be performed in different ways. Aren't we just as creative as the musicians? Why, then, do so many photos look the same, that is have the same aesthetic? Perhaps we need to let go of what an image should look like and think more about what it could look like.
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HT2447 - Zines vs Chapbooks
HT2447 - Zines vs Chapbooks
A couple of days ago, I received three "zines" in the mail that came from a LensWork reader. They were lovely and I enjoyed her photography a great deal. They were very close in physical dimensions to my 6R chapbooks. This got me thinking about what's the difference between commercially printed zine and a handmade chapbook. Is it as simple as one is disposable and the other is collectible? I'm not sure about this.
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HT2446 - Caravaggio Ignored His Eyes
HT2446 - Caravaggio Ignored His Eyes
Caravaggio, the Italian painter from the 16th century, is well known for his use of a technique called "foreshortening." Today we would call it " focus stacking." It's curious to me that this view of the world is impossible for the human eye. Essentially, Caravaggio had to ignore his eyes and what he saw in order to paint using this technique that seems so real.
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HT2445 - To Increase Sharpness, Move the Sun
HT2445 - To Increase Sharpness, Move the Sun
Yes, lens sharpness, stabilization techniques, and resolution all add to build a sharp image. As a pragmatic photographer, however, I can't help but observe and admit that the most important way to increase apparent sharpness is to use the angle of incidence between the light source and the subject that maximizes visible contrast and detail. Light that strikes the subject at an extremely low angle does more to increase detail than buying a sharper lens.
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Sobre LensWork - Photography and the Creative Process
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience.
Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life.
Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).
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