Making a Musical: The Future of British Musical Theatre

Inspired by Sir Thomas Malory’s 15th-century prose Le Morte D’Arthur, Avalon follows the classic tale of the tragic destiny of soon-to-be King Arthur and his half-sister Morgan, through the lens of our wizardly narrator, Merlin.After the death of King Uther, the knights and nobleman of the land devise a plan to fill the power vacuum left in his stead. They agree that whoever wields the power to pull the late king’s sword, “Excalibur”, from a stone, shall be their new leader. The ever-ignored daughter of the king, Morgan, finally sees her chance to earn respect from her kingdom and dreams of filling her father’s shoes.Meanwhile, Arthur, a humble young man from the country, journeys to the kingdom to assist his older brother in a royal tournament. Unbeknownst to him, Arthur is King Uther’s only male heir. In a twist of fate, or predetermined act of destiny, Arthur miraculously pulls Excalibur from the stone. The siblings realize that their destiny is weaved together like a tapestry, and both become determined to protect their future at all costs.Featuring songs ‘It’ll Find Me’ performed by Casey Cott (recorded and produced by Write Out Loud) and ‘Soul Fly’ performed by Martha Boon.Callum Shannon (he/him) Music & LyricsCallum is a young British/Irish songwriter, based in London. After enjoying a successful career as a Vocalist, Callum has left turned onto the creative side of the table, with his first big writing project. Callum is a recipient of Taylor Louderman’s “Write Out Loud” songwriting award.Follow The Other Palace: @TheOtherPalaceFollow Avalon: @avalonmusical Are you writing a new musical in the UK? Consider submitting your show for the podcast: https://theotherpalace.co.uk/making-a-musical-podcast/ Hosted on Acast. See acast.com/privacy for more information.

Jaz’ parents have vanished. Now, with the help of teenage inventor Melanie, she must work out where they’ve gone and how to get them back. And what’s going on with those ninja teddy bears. And who they really work for. And how she ended up in the middle of a plot for world domination. And how to get out of this mess. Eek. This is a completely bonkers musical adventure for childish grownups - the epic lovechild of The Powerpuff Girls and Rick and Morty, brewed in vitro in Dexter’s Lab. Follow Jaz, Melanie, and a host of ludicrous sidekicks to learn how the planet was almost changed forever. Featuring songs ‘A Little Bad’ performed by Ellie Nunn (BVs by Alex Simpson) and ‘You Ain’t Seen Nothin’ Yet’ performed by Nancy Zamit, Ellie Nunn, Chris Fearn, Danni Ashby and Parisa Shahmir.Oli George Rew (he/him) MusicOli is a musical director and composer. He was the recipient of the Lesley Hayes Award whilst at Mountview, and has worked extensively as a musical director and supervisor, in the UK and abroad. Alongside Andy Room, he wrote ‘The Night Our Parents Disappeared’, and a number of songs for new plays. @oli.rewAndy Room (he/they) Book & LyricsAndy is a writer and director. Collaborating with Oli George Rew, their song “The Inventor’s Daughter” was a finalist for the Best New Song Prize, and their debut musical was selected for the Rewrites Festival at the Lowry in 2022. Andy is also a member of MMD’s Advanced Writing Lab. @andydroomFollow The Other Palace: @TheOtherPalaceAre you writing a new musical in the UK? Consider submitting your show for the podcast: https://theotherpalace.co.uk/making-a-musical-podcast/ Hosted on Acast. See acast.com/privacy for more information.

It’s 1967 – There’s a change in the breeze. A new contraceptive pill is available, same-sex relationships are legal and second-wave feminism is in full flux. Against this new era, four friends navigate life at St Anne’s Convent School. But as opinions collide and feelings towards one another shift, the group’s final year doesn’t play out as planned.A poignant, new coming-of-age musical that explores struggles surrounding Irish emigration, sexuality, and faith, We’ll Have Nun of It prompts important questions about growing up in a divided world and highlights the vitality of sisterhood during dark times.Featuring songs ‘Daydream Days’ and ‘Vines’ performed by Finola Southgate.Rosie Dart (She/Her) Book, Director & ProducerRosie has created work for Gilded Balloon at Edinburgh Fringe, VAULT festival and NYMT. Within casting she has worked in-house at Netflix as well as on projects such as Girl From the North Country (UK Tour), Enola Holmes 2 (Netflix) & Luther (Netflix). @heyrosiedartFinola Southgate (She/Her) Music, Lyrics and BookFinola is a songwriter and composer across soul, pop and musical theatre. She has performed original music across venues including Sportspaleis Antwerp and released albums with The Monroes and Sister Sister Productions. @finola.musicFollow The Other Palace: @TheOtherPalaceAre you writing a new musical in the UK? Consider submitting your show for the podcast: https://theotherpalace.co.uk/making-a-musical-podcast/ Hosted on Acast. See acast.com/privacy for more information.

It’s the eve of the mayoral election, and the kids of Hamelin aren’t happy. The mayor and owner of the local pie factory has imposed a music ban, and to make matters worse, there’s a serious rat problem. But, there have been whispers of a mysterious rat catcher in town. Can this curious stranger help Hamelin to find its voice once more? Pied Piper is a raucous musical re-imagining of a medieval fairy-tale. Featuring a hugely talented cast of beatboxers, musicians and special guest performances from the local community, get ready for an electrifying night of vocal wizardry for all the family.Featuring songs ‘Welcome to Hamlin’ performed by the cast (Lead Rap Conrad Murray) and ‘I Wanna Sing’ performed by the cast (Lead Vocal Kate Donnachie).Conrad Murray (he/him) Writer & Co-DirectorConrad Murray is a theatre maker, director, musician, rapper, beatboxer, writer and composer. As artistic director, he has led the BAC Beatbox Academy since 2008, innovating in hop hop/ beatbox theatre with various projects. His recent production Romeo & Juliet with the Polka Theatre and Beats & Elements , which he Co Directed and wrote, has been nominated for four Off West End awards including best music and production. His production company for making new hip hop shows is called rODIUM LTD. He was recently the Musical Director and Composer on Michael Rosens’ An Unexpected Twist’, book by Roy Williams. His production with the BAC Beatbox Academy, Frankenstein: How to Make a Monster got 5 star reviews from The Stage, The Guardian and others. It won the Off West End award, Total Theatre award, and was the highest rated show of the Edinburgh Fringe, and won pick of the fringe at the Adelaide fringe festival. It was adapted into a BBC film in 2020. Pilots’ Crongton Knights (Musical Director was picked as one of the top theatre shows of the year by the Guardian in 2020. He was chosen as part of the Stage’s top 100 people in their 2020 list which highlighted his show High rise State Of Mind with his theatre company Beats & Elements, and a finalist in The Arts Foundations theatre makers category. He was Beatbox Coach on Giles Terera’s The Meaning Of Zong for the Bristol Old Vic. He was director for Connor Allen’s autobiographical Grime theatre experience Making Of A Monster for the Wales Millennium Centre. In 2022, his first published works were published by Bloomsbury/Methuen Drama, Making hip hop theatre and three original texts Beatbox & Elements – A Hip Hop Theatre Trilogy. He has collaborated and/or made work for various venues and institutions including Battersea Arts Centre, The National Theatre Studio, The Lyric Hammersmith, Mountview School of Theatre Arts, The Tate, Royal Central School of Speech and Drama, Camden People’s Theatre, Roundhouse, Theatre Royal Stratford East, UCL, The Courtyard Theatre.@ rODIUMRecords/rODIUMFollow The Other Palace: @TheOtherPalaceAre you writing a new musical in the UK? Consider submitting your show for the podcast: https://theotherpalace.co.uk/making-a-musical-podcast/ Hosted on Acast. See acast.com/privacy for more information.