NKATA: Art and Processes

• EP15: "The garment of the present is always stitched by cloths and threads from a variety of elsewheres" – Nkata with John Akomfrah

  Send us a textIn this thought-provoking episode, host Emeka Okereke sits down with the visionary Ghanaian-born British artist and filmmaker John Akomfrah. Akomfrah is renowned for his groundbreaking contributions to contemporary art and film, where his work poignantly explores themes of memory, post-colonialism, and the lived experiences of migrant diasporas across the globe.The conversation delves into Akomfrah’s illustrious career, beginning with his pivotal role as a founding member of the Black Audio Film Collective in 1982. The collective’s debut film, Handsworth Songs (1986), marked a significant moment in British cinema. It examined the 1985 riots in Birmingham and London, showcasing Akomfrah’s distinctive style—a rich tapestry of archival footage, still images, and newsreels that challenge conventional storytelling methods and invite viewers to confront complex social issues.Akomfrah’s work is not just a reflection of historical events but a deeply personal meditation on the intricacies of race, identity, and the persistent impact of colonial legacies. In this episode, he shares insights into how his films and installations serve as vehicles for re-inscribing identity, using art to navigate the often turbulent waters of racial narratives and their profound influence on societal relations and personal identity formation.Listeners are invited to explore the philosophical underpinnings of Akomfrah’s oeuvre, as he discusses the continuous process of identity formation in dialogue with the ideas of intellectual giants like Stuart Hall and Frantz Fanon. The episode also touches on contemporary issues, such as the global resonance of the Black Lives Matter movement following the tragic killing of George Floyd and the societal upheavals caused by the COVID-19 pandemic. Akomfrah articulates how these events underscore the ongoing “presencing” of diasporic identities and the existential realities of living with an awareness of potential violence.Throughout the conversation, Akomfrah offers a rare glimpse into the creative process behind his works, emphasising the role of artistic passion, integrity, and sacrifice in the pursuit of meaningful art. His reflections provide invaluable guidance for artists today, encouraging them to engage deeply with the cultural and political dimensions of their practice.This episode is a must-listen for anyone interested in understanding the intersections of art, history, social commentary and the historical archive, as well as the power of film and visual art to provoke thought and inspire change. Tune in to experience a rich dialogue that intertwines personal narratives with historical and philosophical reflections, offering a deeper understanding of the cultural significance of art and its transformative potential in society.Support the showHi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

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• EP14: "Move one foot in front of the other, and you will find your road". Nkata with Jide Adeniyi-Jones

  Send us a textJide Adeniyi-Jones (b. Lagos, 1952) is a Nigerian documentary photographer based in Lagos and Washington, DC. He credits the English photographer John Vickers for paving his way into photography in 1972. Since then, he has worked across various sectors of the discipline, including advertising, private media, civic service, and contemporary art. Having been a photographer for most of Africa's post-independence era, he has witnessed and documented many key political events in the continent as they unfolded. Yet, to those who know him within the profession, Adeniyi-Jones has put his humanity and nuanced way of reading the world at the service of those behind the viewfinder as much as he has of his camera. Moreover, through masterclasses, mentorship programs, jury activities, and informal tutelage, he has, over the years, transmitted his sensibilities to younger professionals in ways that transcend the scope of any documented account. Thus, in many ways, he has contributed to the foundation of thought and ethics of contemporary Nigerian photography, of which many photographers/artists of today are fortunate beneficiaries.In the 14th episode of Nkata: Art & Processes, Adeniyi-Jones takes us back on memory lane through expansive recollections of noteworthy events of his life and practice that underscores his passion for photography and devotion to social issues. He takes the listener through the ethics of photography accrued over so many years of experience telling stories of everyday persons to explain what he means when he says, "Photography forces you to establish a point of view."For those searching for the wealth of hindsight, this podcast conversation is an encouraging companion in the interminable journey of growth. This is aptly captured, towards the last minutes of the conversation, when he says, "Move one foot in front of the other, and you will find the road."Guest: Jide Adeniyi-JonesHost: Emeka OkerekeProduction: Atelier E.K OkerekeProduction Assistant: Tom SaaterPhotography: Tom SaaterSupport the showHi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

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• Ep13: "When I use the term Afropolitanism, it refers to the "becoming planetary" of our predicament." Nkata with Achille Mbembe.

  Send us a textAchille Mbembe is no doubt one of the most influential philosophers of the 21st century. Born in Cameroun in 1957, the year that ushered in a ricochet of the independence of African nations – also known as the year of Kwame Nkrumah – in many ways, his work and disposition could be summarised as an embodiment of the spirit of the future. In this conversation moderated by Emeka Okereke for the 13th episode of Nkata Podcast, Art and Processes, Mbembe generously opens up personal spaces to offer intimate knowledge through which the intentions behind his work can be grasped.Starting with key moments that marked his childhood, he weaves strands of trajectories together while paying tribute to the two people that mattered most in his life: his parents. He speaks of his mother as the one who taught him what joy is all about such that his life's work becomes an ongoing attempt to transform joy into hope.The passing of his father was the most remarkable moment for him. It was also the moment he became, in all sense of the world, a person born into a "planetary world".Throughout the conversation, his voice is measured, calm, and thoughtful, yet grounded in the conviction of its cadence. He expands on Afropolitanism, a concept which he helped to coin:"When I use the term Afropolitanism, it refers to the "becoming planetary" of our predicament."Most remarkably, the conversation incites the listener to contemplate a world whose cartography is in contestation without evading the indispensable question: what will become of our future in such a world whereby the rate at which we encounter each other is intensified? Mbembe offers a few pointers:"The question becomes: What are the lines of flight that allow for a modicum of respiration – that allow for the disruption of the logic of suffocation?""We live in a state of interminable predicament. We have to learn to live with it in a way that is not sterile – that allows an opening to keep nurturing, at the very least, the spirit of resistance. We have to keep open the possibility of a horizon".Although not directly, he invites the listener to re-read and re-understand the works of such influential thinkers as Frantz Fanon, Edouard Glissant and Toni Morrison for how they elucidate our times and serve as beacons for the future.This conversation adds yet another layer of lucidity to thoughts, ideas, and propositions expounded in such seminal works as "The Critic of Black Reason", "Necropolitics", and "Out of The Dark Night" for which Mbembe is deservedly known.Who would benefit from listening to this conversation? Anyone who is genuinely committed and, by extension, tangibly hopeful about the future of our planet.Runtime: 73 mins.Photo Credit: Herby SachsProduction: E.O Multimedia LTD. Conceptualisation: Atelier E.K Okereke Host: Emeka OkerekeGuest: Achille MbembeSupport the showHi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

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• EP12: "We are workers of the Spirit". Nkata with Koyo Kouoh

  Send us a textThe 12th episode of Nkata Podcast: Art & Processes features a conversation with Koyo Kouoh.Koyo Kouoh is a Cameroonian-born curator. She is a leading figure in the Contemporary art world. More specifically, she is one of the pioneers who helped shape and articulate contemporary art practices from the African continent and beyond. Her work is rooted in community and institution-building through collaborations. She is the founder of RAW MATERIAL COMPANY, an art space in Dakar that promotes critical thinking and knowledge production through artistic activities. She is currently the Executive Director and Chief Curator of Zeitz MOCAA in Cape Town.Her work spans geography in a tentacular manner and no given order. So, suppose one of the biggest challenges of the 21st century is the limitations that come with mapping and shaping of the borders of the world. In that case, she is one of those remapping and tangibly affecting culture through her movement and way of being in the world.The podcast conversation starts with Koyo recounting her earlier days. Then, prompted by Emeka Okereke, she dwells extensively on the experiences that propelled her towards her vocation as a curator.She speaks of her encounter with Toni Morrison's Beloved, the birth of her son; her work as the editor of the German version of Magaret Busby's Daughters of Africa (1992), and meeting of the late avant-garde Senegalese artist Issa Samb. These encounters – layered unto her upbringing (having been born, raised and "bathed in the care of extra-ordinary women") in Cameroun before moving, with her mother, to France and Switzerland at the age of 13 – served as the earliest compass in a world and discipline that she would eventually help forge.Yet, throughout the conversation, Koyo reiterates the half-truth of merely understanding her work simply as a curator."This is not a job. We are workers of the spirit".The conversation meanders through myriad recollections of Koyo Kouoh's trajectory while elaborating on how they feed into her professional practice."I believe in Professional Genealogy".Faithfully keeping steps with her pace of thoughtful word choices, the conversation makes a running thread from Koyo's dedication to her relationships with artists and young professionals and how that has shaped her notion of institution building.Koyo's words are a beacon, just as they are a backbone, for artists and art practitioners interested in the wealth of hindsight.If not for the nuggets of wisdom scattered across the length of the episode, let it be for her concluding words when she speaks of her responsibility in managing a 9,500 square metres space as the Director of Zeitz Museum of Contemporary Arts in Cape Town. It exemplifies the disposition Toni Morrison refers to as "Careful Optimism". In other words, we do this for joy. We do this for hope. We do this for posterity. There is nothing to prove beyond that. Yes, the work is cut out for us. Yet, the possibilities of our agency and subjectivity are humbling as much as they are empowering.Support the showHi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

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• EP11: "We were brought up to strive for Eloquence". Nkata with Olu Oguibe

  Send us a textOlu Oguibe (b.1964, Aba) is a Nigerian artist and academic living and working in the United States of America. He is one of the foremost scholars of his generation whose work constitutes a pillar of what we now know as Contemporary African art and post-colonial studies. Since 1988, he has saddled a rigorous and prolific artistic practice as a visual artist, writer, curator, professor and art historian. Put succinctly, a credible account of the history and trajectory of Post-colonial/Contemporary art from Africa and the Diaspora is unimaginable without referencing the work of Olu Oguibe.In conversation with Emeka Okereke for the 12th Episode of Nkata: Art & Processes, Oguibe relives his childhood days growing up in the East of Nigeria. He credits his artistic inclinations to the peculiarity of his childhood upbringing and the circumstances into which he was born. Like James Baldwin or Fela Kuti, Oguibe was born a preacher's son. In the same vein, his birth preceded, by just three years, one of the most defining wars of independence struggles in the 20th century: The Nigeria-Biafra war of 1967 - 1970.The two hours long conversation takes, as a marker, three poems from the book, "I am Bound To This Land By Blood" – an anthology of poems by Oguibe, written over 25 years. This anthology could easily be considered a sojourner's handbook. To say the least, it lays bare some of the thoughts and emotions underpinning the condition of Exile. It allows us a glimpse into visceral yet convoluted experiences of Patriotism, Love, Conscience, Self and Home(lessness).The poems set the premise for delving into anecdotes and recollections upon which Oguibe's lifelong preoccupation threads.He comes full circle when he insists that, all along, his has been "a search for eloquence". However, he anticipates a misreading here by grounding this notion of eloquence in the Igbo cosmology and artistic aesthetics as embodied in the works of Obiora Udechukwu and Chinua Achebe.The conversation is riddled with references to pioneers who, working in the 20th century, paved the way for the 21st. Each name referenced is a door of history opening out to divergent trajectories. We encourage the listeners of this podcast to further research the practices of all those referenced. The tapestry of history is rich and multilayered!The podcast is marked with timestamps to help the listener navigate the conversation.0:00 – Early days, Family home, being Biafran and Nigerian.10:15 – I am bound to this land by blood. The prophetic vision. 36: 40 – Conscience as a sojourner's totem49:50 – Do Not Forget where you come from/ new Diaspora. 59:00 – The disposition of those who came before us.90:30 – In Search of eloquence from earlier to recent body of work.97:20 – Love, Self-love, The Road, Home(lessness).Support the showHi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

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