BIO: Benn Jordan’s career began in the late 1990’s as a recording artist most widely released under the moniker “The Flashbulb”. A decade later, Benn would become synonymous with artist advocacy after he purchased his music rights back from record labels,formed a non-profit publisher, and challenged the early models of digital music distribution by using peer-to-peer file transfers instead of iTunes. This led to Benn being a consultant for Bandcamp before the service launched in 2007. After expanding his non-profit to carry a music education school and community center in Chicago, Benn moved to the Atlanta area in 2017 and started what has now become one of the most popular YouTube channels in the pro-audio and audio technology space. The channel now exists under Benn’s non-profit umbrella and funds data-science and the never ending challenge of finding ethical business models that can make the music business easier to navigate for artists and creators. During this time his unique relationship with audio-related businesses and organizations expanded as fast as his amount of viewers and public reach. Benn Jordan doesn’t exactly keep it a secret that he’s discontent with the way independent artists have been treated by the tech industry, and he is very proactive about getting ahead of the curve and attempting to help write and set ethical standards for AI audio technology, and holds patents in technology fighting the non-consensual training of generative AI. Ben Jordan Links Mr. Bill’s Links
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MBP #165 Curtis Roads
Curtis Roads creates and pursues research in music technology. He is Professor Emeritus of Media Arts and Technology (MAT) and in Music at the University of California, Santa Barbara (UCSB), where he also managed the Center for Research in Electronic Art Technology (CREATE). He studied composition at California Institute of the Arts and the University of California, San Diego and received a Doctorate from the Université Paris 8. A researcher at MIT for six years, he also taught at Harvard and the University of Naples "Federico Due." He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979. His album POINT LINE CLOUD was reissued in 2019 by Presto Records. His album Flicker Tone Pulse (2019) was published on DVD by Wergo (Schott Musik). The textbook The Computer Music Tutorial, Second Edition (The MIT Press) appeared in 2023. Curtis Roads Links Mr. Bills Links
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MBP #164 Funk The Empire
Funk the Empire is a Dubstep Producer out of Chattanooga, Tennessee. His production style blends classic dubstep with the nostalgic sound of 80’s synth-funk including live instrumentation and modern sound design. He’s released music on labels such as Circus Records, Headband Society, and The GlitchHop Community. He earned his Bachelor’s Degree from Middle Tennessee State University where he studied philosophy, law, and criminal Justice. He’s currently enrolled at the University of Tennessee School of Law in Knoxville, TN, studying to become a criminal defense attorney. The Funk Capacitor EP is out now on Circus Records! Funk The Empire Links Mr. Bill’s Links
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MBP #163 Matt Davis
BIO: Head Engineer at Hacienda Mastering. Principle Designer at Hacienda Acoustics. Professor at Full Sail University. Founder, curator, and FOH at Reference Sessions. Occasional front of house engineer for Jade Cicada, Detox Unit, and Mickman. Unrepentant shitposter. Matt Davis Links https://lnk.to/163mattdavis Mr. Bill’s Links
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MBP #162 Ainonow
Ainonow is an interdisciplinary and enigmatic artist focused on electronic music production. His musical journey began playing the viola in an orchestra at the age of nine, where he began to fall in love with music. However, the classical world alone was not enough to satisfy his musical curiosity. Swirling in and out of bands while playing bass guitar, he experimented with different styles until eventually discovering underground electronic music and hip hop. Inspired by the hypnotic beats and hard-hitting bass of these genres, he dove into electronic music production and the infinite timbres permitted by this new approach to music creation. On his critically acclaimed, debut two-track EP Exile Ainonow showcased some of his range in the genre of drum & bass starting out with the title track Exile, an industrial, raw, and ruthlessly rhythmic minimal jungle track. The second track of the EP, Triturate, then launches into a meticulously layered, high energy neurofunk song that holds nothing back. He followed up his debut release with Bedlam, a deep neuro drum & bass song blending sinister soundscapes with aggressive beats and haunting melodies, alongside fellow artist Slaythoven. Now, he has released yet another single, Forlorn, a liquid roller drum & bass track that plays heavily with tension and release, combining intricate beats and ambient textures. With such a diverse background and range of influences, Ainonow's tracks traverse a broad spectrum of sonic landscapes. Combining elements of dark and heavy drum & bass, broken beat halftime and experimental bass music, he takes his listeners on a musical journey soaked in organic textures. As one of the most forward-thinking, rising artists in the world of underground electronic music, Ainonow’s music speaks to the power of experimentation and the limitless possibilities of creative expression. Ainonow Links Mr. Bill’s Links
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