Themistoklis Alexis revisits the lives and selected works of directors from bygone eras of cinema, whether the New Hollywood movement, the French New Wave, or a...
Our director for this month is the mercurial Sam Peckinpah (1925-1984), who left an indelible mark on American television and cinema over a 30-year career.
Despite his many clashes with Hollywood studio brass (and often his own crew) and his early passing at the age of 59, Peckinpah distinguished himself with a singular vision of the Old West and his graphic depictions of violence in films like The Wild Bunch, Straw Dogs, Pat Garrett & Billy the Kid, and Bring Me the Head of Alfredo Garcia. We'll revisit these films and what the man known as "Bloody Sam" sought to demonstrate with his often polarizing on-screen violence.
Listen, like, subscribe, and don't forget to leave a rating or review wherever you get your podcasts. Kisses many.
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1:21:36
Yannis Economides & The Study of Greek Trash
This month, we return to celebrate and examine the work of a personal favourite of mine: Greek-Cypriot director Yannis Economides (b. 1967).
Heralded as one of several filmmakers responsible for a recent resurgence in Greek cinema and an auteur of modern realism, Economides has spent a 20-year career as a feature director exploring the darker sides of human nature and their many manifestations among the lower and middle class of modern Greece, helming bold, unsettling, and often darkly humorous films like Matchbox, Soul Kicking, Stratos, and Ballad for a Pierced Heart.
Listen, like, subscribe, and don't forget to leave a rating/review wherever you get your podcasts. Kisses many.
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1:27:54
Hal Ashby & The Familiar Trials of his Male Protagonists
This episode takes a stab at covering the life and early work of Hal Ashby (1929-1988), a director who was synonymous with the New Hollywood era of the 70s and helmed a string of beloved films that often doubled as social commentaries, including The Landlord, Harold & Maude, The Last Detail, and Shampoo. We'll revisit these films, Ashby's apprenticeship under filmmaker Norman Jewison, his contradictions, and the parallels between his male protagonists and his own life.
Listen, like, subscribe, and don't forget to leave a rating and review on your go-to podcast platform. Kisses many.
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1:31:47
Melvin Van Peebles & The Color Barrier in Hollywood
The show is (finally) back to celebrate the life, work, and legacy of Renaissance man Melvin Van Peebles (1932-2021), a well-travelled director, songwriter, actor, playwright, and novelist who played an integral role in breaking the color barrier for Black filmmakers in Hollywood during the late 60s-early 70s and helmed the groundbreaking and provocative independent hit Sweet Sweetback's Baadasssss Song, among many other triumphs.
Join us as we attempt to do his many lives and oeuvre justice by covering his start as a feature filmmaker in France, his role in spawning the blaxploitation film era of the early 70s, and how he paved the way for both independent and Black directors, all without being beholden to the studio system.
Listen, like, subscribe, and feel free to leave comments, ratings, or reviews on Spotify, Apple Podcasts/iTunes, Google Podcasts, Tune In, and iHeart Radio. Kisses many.
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1:30:45
Michelangelo Antonioni & The Emptiness of Modern Life
After a hectic month away, the show is back for a look at the life of Italian director Michelangelo Antonioni (1912-2007) and his portraits of existential dread in the modern world.
Antonioni helped pave the way for Italy's post-war neorealist movement with a series of short documentaries, then set a new standard for European art films in the 60s with L'Avventura, La Notte, L'Eclisse, and Red Desert. We'll revisit these beloved works and their depictions of alienation, loss of communication between lovers, and superficiality and materialism supplanting traditional values in Antonioni's industrialized Italy. Listen, like, subscribe, and remember to leave the show a rating/review on your podcast platform of choice.
NOTE: As we've done previously with foreign filmmakers, the clips from films and interviews are in Antonioni's mother tongue and in some cases, French, which he spoke fluently. Kisses many.
Themistoklis Alexis revisits the lives and selected works of directors from bygone eras of cinema, whether the New Hollywood movement, the French New Wave, or anything in between. Instagram:@closedsetpodcast. Kisses many.