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Scriptnotes Podcast

John August and Craig Mazin
Scriptnotes Podcast
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5 de 20
  • 68 - Talking Austen in Austin (Encore)
    In this episode from 2012, John and Craig sit down with producer and former studio executive Lindsay Doran (Sense and Sensibility, Stranger than Fiction) at the Austin Film Festival to explore the producer’s relationship with the screenplay. The look at how the role of producer has changed, the ideal development process, how she developed Sense and Sensibility with Emma Thompson, and staying true to your values in a fickle business. In our bonus segment for premium members, Drew joins John back in 2025 to consider the value of a good alumni program, and how an alma mater that under-delivers can be the pits. Links: Lindsay Doran on IMDb The original episode transcript Perfectly Happy, Even Without Happy Endings by Carrie Rickey for the New York Times (including a great photo of Lindsay’s hair) Lindsay’s TEDx presentation: Saving the World vs Kissing the Girl Scriptnotes, Episode 17: What do producers do? Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Instagram John August on Bluesky, Threads, and Instagram Outro by Matthew Chilelli (send us yours!) This episode was originally produced by Stuart Friedel. Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.
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  • 682 - The Second Season with Tony Gilroy
    John and Craig welcome writer and showrunner Tony Gilroy (Andor, Michael Clayton) for an in-depth look at crafting a second season of a hit TV show. They look at ways to find your season’s structure, setting your production up for success, controlling the energy your audience spends on information, and how to wrap up your story before the show eats you alive. They also answer listener questions on what to do when a movie that’s similar to yours is wildly successful, and whether being a movie critic could hurt your writing career. In our bonus segment for premium members, Tony sticks around to ponder which words we wish existed in English, and how we’d use them in our scripts. Links: Tony Gilroy Here’s a recap of Andor Season 1! Andor Season 2: Trailer 1 | Trailer 2 | Special Look Episode 680 – Writing Action Set Pieces with Christina Hodson I’m Not a Robot short by Victoria Warmerdam I’m Not a Robot short by Jason Speir Stephen Schiff Startpage A History of Rock Music in 500 Songs Raindrop Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Instagram John August on Bluesky, Threads, and Instagram Outro by Spencer Lackey (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.
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  • 681 - The Waiting Game
    John and Craig sit in project purgatory and ask, what do you do when the only answer you’re getting is “maybe”? They share advice on how to gently check in without annoying people, recognizing the soft pass, the unexpected benefits of patience, and what to do when you’re the person holding up the gears. Then it’s another round of the Three Page Challenge, where John and Craig give their honest feedback on three listener-submitted scripts. We also follow up on script supervisors and the encroaching perils of AI production. In our bonus segment for premium members, John and Craig spill the telltale signs that a movie or TV show has had reshoots. Links: Follow along with our Three Page Challenge Selections! SCRAMBLING by Tania Luna, LUMP by Leah Newsom, and THE DREAD PIRATE ROBERTS by J. Bryan Dick The King of Tars Sesame Street The Goes Wrong Show on Prime Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Instagram John August on Bluesky, Threads, and Instagram Outro by Nick Moore (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.
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  • 680 - Writing Action Set Pieces
    John welcomes back Christina Hodson (The Flash, Bumblebee) to ask, how do you to construct a great action sequence? Using examples from three different movies, they discuss what good action looks like on the page, how to keep your reader from getting bored or confused, and why production can sometimes blow your plans to smithereens. Then it’s a round of How Would This be a Movie?, where we take four stories from the news and pitch how we might adapt them for the screen. Stories include a mysterious painting, a train trapped in a blizzard, a teen who sued his parents, and zombie colleges. We also follow up on director’s chairs and mammograms, and answer listener questions on side characters and creating a healthy work/life balance. In our bonus segment for premium members, John and Christina examine the do’s and don’ts of introducing yourself to a stranger through email. Links: Christina Hodson That New York Times article with John and Christina Bamboo Director’s Chair Birdigo on Steam Action samples: Aliens, The Bourne Identity and Rise of the Planet of the Apes David Koepp’s Jurassic Park screenplay David Benioff’s Troy screenplay A Man of Parts and Learning by Fara Dabhoiwala When a Deadly Winter Storm Trapped a Luxury Passenger Train Near the Donner Pass for Three Days by Robert Klara A U.K. Teen’s Parents Sent Him to Ghana. He Took Them to Court. by Lynsey Chutel Zombie colleges? These universities are living another life online, and no one can say why by Chris Quintana Mike Birbiglia The Onion in print Padraic Murphy’s Research Department Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on Bluesky, Threads, and Instagram Outro by Vance Kotrla (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.
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  • 679 - The Driver’s Seat
    John welcomes back Liz Hannah (The Girl From Plainville, The Post) to ask, how do you know if a character can carry a story? They look at ways of identifying your protagonist, defining privileged storytelling power, and the choices to make when figuring out which characters can hold narrative point of view. We also look a the phenomenon of the “Stranger in the Room,” follow up on writing during crazy times, brain trusts, plays vs movies, the phrase “begs the question,” and the usefulness of sharing your pronouns. In our bonus segment for premium members, John and Liz explain the difference between East LA, West LA, and why the valley might beat them both. Links: Liz Hannah on IMDb and Instagram Episode 676 – Writing while the World is on Fire Slate Culture Gabfest The Post | Screenplay Episode 128 – Frozen with Jennifer Lee Into the Unknown: Making Frozen 2 on Disney+ Highland Pro The Girl From Plainville on Hulu The Dropout on Hulu “The Stranger in the Room” by @toddalcott on Threads Episode 399 – Notes on Notes Dragonsweeper by Daniel Benmergui Dare I Say It by Naomi Watts Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on BlueSky, Threads, and Instagram Outro by Spencer Lackey (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.
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Sobre Scriptnotes Podcast

Screenwriters John August and Craig Mazin discuss screenwriting and related topics in the film and television industry, everything from getting stuff written to the vagaries of copyright and work-for-hire law.
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